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I record every day. Every night. Everywhere I go. It’s how I survive the human experience. My soul is a sponge and the only way to wring it out correctly and accurately, for me, is to generate music from every moment of life I inhale.

A few years ago, I discovered a great mic called the Blue Snowball. It was love at first sight. The more I travel, the more I put recording engineers onto the incredible quality this little thing delivers, and I swear I have not used a single studio mic, or recorded in a proper studio for that matter, in the last four years (no joke!).

Being an artist on the road takes it’s toll on the mind and body. Sometimes, it’s just too much to ask to have me rush from airport or car after a long road trip to the gig then to a sterile studio environment. I can’t be bothered. Therefore, I record in the moment of inspiration. I pose this question: If life as we are living it fails to inspire, why make art in the first place?

In this particular clip, my good friend and producer extraordinaire, Atropolis, and I were en route to a gig at The Good Life in Boston travelling from New York. One thing I had forgotten to do prior to leaving the city was deliver verses for a song Thornato and I had to finish. Witness and marvel at how I knocked out my work while in gridlock on a rainy journey up to Beantown.

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BrooklynShanti.com sits down with Nabin for a candid mini-documentary on the art of emceeing in the year 2012 to supplement the release of his mixtape, Brooklyn circa 2012 which can be downloaded free here.

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Nabin and Thornato visit Nirman in Varanasi where they learn about how the model school is integrating arts with education for the children and also conduct recording sessions with local musicians.

From Nirman’s website:

“NIRMAN is a not-for-profit NGO in Varanasi (also known as Banaras, Benares, and Kashi), India. We work for children and their families, for education, civic consciousness, the arts, and international exchange.

NIRMAN has many projects in various stages of development, as part of one or more of the above initiatives. We welcome collaborations of all kinds, with individuals and organisations around the world.”


To find out more, visit Nirman’s website by clicking here.

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A few months ago, I made my first (and maybe last) trek to Las Vegas…basically to work alongside my good friend, Mark Rosal. We had been dying to work together on a video for one of my songs for a while.

Aside from being a stellar Creative Director in New York, Mark’s been a great collaborator over the years. He came up with the typeface for Func Spec, and was the inspiration behind the song Bindi.

"Get Over Yourself" at f/1.2 Part 2

The concept for Look At Me worked really well with what Mark shot – which was simply an evening of me doing what I do best. I’m very blessed and privileged to have the opportunity to make music for everyone to hear. When you take a look, from the outside, it can seem a bit lonely.

The night we shot the video was a rare one, I hadn’t had any alcohol in over six months and for some reason I was caught in the spirit and energy of Vegas…in my own way.

Enjoy the video and check out Mark’s site for photography, creative projects and work he’s been involved in. My personal favorite is when he takes hip hop album cover shots of his kids…

Halloween 2009

Purchase Look At Me on iTunes here http://bit.ly/k2W13l

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It is said that Banaras is one of the oldest cities in India, and is the one of the oldest continuously inhabited cities by humans. It is referred to as the City of Lights and often cited as the “holiest” city in all of India, being situated on the banks of the river Ganges. My mother grew up in Banaras. My childhood summers were spent running through the mazes of alleyways from temple to temple en route to the ghats along the ganga.


False Prophets is a meditation about how corporate culture is slowly overtaking old world traditions. Our constant need for connectivity and information has driven us to be more dependent upon those organizations which deliver content to us on a 24-hour a day cycle. Most of us in the western world have forgotten what it was like before broadcasting every detail of our personal lives outward to a global audience. Although technological empowerment is a positive sign of progress, sometimes we take the pitfalls of constant expression a bit too seriously. We, including those working for the advertising and media industries, are all guinea pigs in a process where we are learning how to deal with more information exchange than ever.


The world, as I have come to embrace it, does contain a juxtaposition of places where you can walk the streets of an Indian market untouched by digital culture. A place where cows roam freely and can be found in the crevices of back alley ways. We walked through Thateri Bazaar to Panchganga Ghat on the river and shot the video while en route. No stylists. No makeup crew. No lighting. Just life in the moment.

Download False Prophets free, as a part of Brooklyn circa 2012 here.

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Thornato and Nabin travel to India on a two month journey to take their sound to Bollywood. On the way, they are gearing up to collect sounds from all around the country and record with some of India’s legendary musicians.

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Using nothing more than a few household items and a two hour time limit, Nabin and cinematographer, Azim Moollan, craft a song and shoot a video during a rare few hours of emptiness in New York City.

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When Giants Meet stops by the studio to interview the1shanti about music, life, and his philosophies related to the aforementioned. Nabin gives a very rare glimpse at how he thinks about all things which we consider to be music.

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